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A Tessa Calloway Mystery

The Ashcombe Bequest

The will is a trap. The island is a witness. Seven guests, three nights, one heir — and a storm closing the only way out.

Cover of The Ashcombe Bequest by Agnes Thorne — a white colonial mansion on a storm-lit cliff, one window burning

Every house keeps its secrets. Windward House keeps a record.

The Terms

A Most Particular Will

Edmund Ashcombe is six weeks dead, and his family has been summoned to Perdita Cay — the private island his money built — to hear what he left behind.

Book conservator Tessa Calloway came to hold her oldest friend's hand through the reading. She stays because the will is not a will at all: it is a mechanism, wound and waiting. The entire estate to the one person nobody expected. Everyone confined to the island for three nights, on pain of forfeiture. And a lawyer with a second envelope he refuses, absolutely, to open.

Then the storm arrives ahead of schedule, the boats stop coming — and the dying starts.

Tessa restores damaged books for a living. She knows that paper keeps a record of everything done to it. So, she discovers, does a house.

“The boat had no name, which struck Tessa Calloway as a small act of arrogance.”
— the opening line
Dramatis Personae

The House Party

Seven guests under one roof, and a housekeeper who keeps more than the house. By the morning of the fourth day, one of them will be a murderer twice over.

Portrait of Tessa Calloway

Tessa Calloway

Book conservator. Reads houses the way she reads damaged bindings.

Portrait of Isabel Marsh

Isabel Marsh

Tessa's oldest friend — and the reason she came.

Portrait of Etta Baptiste

Etta Baptiste

Housekeeper, thirty-one years. Sees everything. Says less.

Portrait of Nadia Ashcombe

Nadia Ashcombe

The granddaughter from Canada. The only one everybody likes.

Portrait of Julian Ashcombe

Julian Ashcombe

The eldest son. Owed more than money, and knows it.

Portrait of Coralie Ashcombe

Coralie Ashcombe

Edmund's second wife. Ten years into an iron contract.

Portrait of Desmond Grantley

Desmond Grantley

Business partner since the first boat. Sweats honestly.

Portrait of Solomon Price

Solomon Price

The lawyer. Keeps the secrets — and keeps them sealed.

“This house is old. It makes noises. Sleep through them.”
— Etta Baptiste, the first night
The Setting

Perdita Cay

Perdita — the paper name, the chart name. The lost one. Nothing on this island was ever lost.

A white house on a grey cliff, a hundred stone steps to a nameless boat, and a hurricane named Odette turning the only exit into open water. When the generator fails, Windward House goes back forty years in a single evening:

  • Oil lamps in every room — light that flickers, and lies.
  • Storm shutters along the seaward face: the house closes its row of white teeth.
  • No radio, no telephone, no boat until the seas subside.
  • And at the north end, past the ruined works — the bush, and what the bush grew over.
Windward House on the cliff at night in the hurricane, shuttered windows glowing, a single lantern at the jetty far below
Windward House, the first night of Odette — one lantern still burning at the jetty.
From the Pages

Three Nights, By Lamplight

Tessa Calloway and Isabel Marsh arriving by launch at the jetty of Perdita Cay, Etta Baptiste descending the cliff stairs, Windward House above
The crossing. When the launch cleared the point, there would be no way off Perdita Cay that the family did not control.
The family at dinner by lamplight: the empty chair at the head of the table beneath the shadowed portrait, Etta Baptiste standing with her tray
The first dinner. Edmund six weeks dead, his place still laid, his portrait keeping its own counsel.
Julian Ashcombe alone at the veranda balustrade at night with the decanter, rain beginning
Julian, the rail, and what was left of the Colonel’s rum.
Tessa Calloway sitting up in bed listening while Isabel Marsh stands at the shuttered window with a candle
The first night: wood on wood, somewhere below the cliff. The house had said it makes noises.
Solomon Price at a desk by oil lamp, hands folded over a sealed envelope, storm at the shutters
Mr Price and the second envelope — the one he will not open.
Coralie Ashcombe on the staircase landing at night holding an oil lamp, listening
Coralie, on the landing. Listening — or being listened to.
Nadia Ashcombe serenely arranging storm-salvaged frangipani in the entrance hall
Storm-salvage. Nadia does the flowers of the house unasked.
Tessa Calloway examining an old folio in the library by lamplight, watched by Solomon Price, Etta Baptiste in the doorway
Paper keeps a record of everything done to it. So, Tessa discovers, does a house.
Tessa Calloway and Etta Baptiste taking tea on the veranda at sunset after the storm
“This house is old. It makes noises.” — Some silences on Perdita Cay are older than the house.
The Author

Agnes Thorne

Agnes Thorne writes classical detective fiction in the golden-age tradition: closed circles, fair play, and endings that ask to be read twice. The Ashcombe Bequest is the first Tessa Calloway mystery.

She believes the reader should have every clue the detective has — and that the best hiding place was always in plain sight.

Fair play, always

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